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Our current exhibition All for Water aims to provoke critical thinking around the global availability and health of freshwater, including the social, economic and political change required to protect this resource for generations to come. We’ve invited three artists: Bill Horne, Lori Goldberg and Betty Kovavic to share resources that they find inspiring as they create artwork addressing the future of freshwater. We invite you to click through to learn more!
Water = Life, is the title of my work featured in All for Water. To make this work I used a sheet of industrial copper for a substrate. At one time, this copper covered the surface of our greenhouse worktable. This copper sheet has endured and exhibited the effects of twenty years of use; fertilizers, pesticides, herbicides, and other pollutants have left their marks on its surface. For me, this changed copper sheet is a metaphor for the effects humanity has on the Earth’s lakes and rivers.
I have lived off-grid in a small remote community situated in the Rocky Mountains and spent much of my life in the wilderness of BC. Many years ago, I began to witness a frightening decline in many wild animals I once saw in great numbers. These observations inform much of my current work.
Water = Life is a mixed media work that features different kinds of imagery, including line drawings of endangered species. As part of my research, I consulted the Animal Welfare Institute website to learn about endangered species and to help me to determine which animals to depict in my work.
When I develop work, I frequently listen to Adagio in Stings by Samuel Barber. I feel this gentle music is an expression of my feelings. This reiteration of the piece by Hauser is poignant and beautiful.
The printmaker Matthew Rangel frequently addresses environmental issues through his work. His ideas and aesthetic, particularly the linear aspects of his work and his use of maps, really resonates with me.